Marco Evaristti is a modern artist from Chile whose work is often styled ‘controversial’ (1) and whose mother is – you guessed it – jewish, (2) which makes Evaristti both jewish halakhically-speaking as well as according to Israeli law.
Evaristti’s ‘art’ is well-explained in his March 2025 ‘Newsweek’ where we read that:
‘Evaristti’s most recent art installation generated headlines around the world this week. The piece featured three caged piglets, left to starve to death, in order to expose the harsh realities of the pork industry in Denmark, where the installation was shown.
Many sows are bred for large litters but can only nurse 14 piglets at a time, leading to starvation for the rest, according to the animal welfare group Animal Protection Denmark. A February 2024 report found approximately 27,000 pre-weaning piglets died every day in Denmark.
Adding to the buzz and controversy around the exhibit, the three animals featured in the installation, titled And now you care, were then stolen by animal-rights activists with the help of friend and colleague of Evaristti who coordinated their escape, reportedly without the artist’s knowledge.’ (3)
This is extremely vile by any standard and I am thankful Evaristti’s friend - Caspar Steffensen – broke the piglets out of Evaristti’s ‘art exhibit’ so that they didn’t have to needlessly starve to death ‘for art’. (4)
Not only that but this hasn’t stopped Evaristti and now he just wants to use ‘dead piglets’ that he is going to dump in a ‘transparent refrigerator’ with ‘Sky News’ writing how:
‘Mr Evaristti said he will revive the exhibition and hopes to somehow get dead piglets from meat processing plants and present them to the public.
“I’m in the process of acquiring animals that have died of starvation or other terrible circumstances in agriculture. I want to display them in a transparent refrigerator,” he told Denmark’s Ekstra Bladet.
He said his aim was to fill the transparent refrigerator to bursting point with dead animals to show how animals in agriculture are squeezed into small cages.
Having acquired the refrigerator, he said he now just needed the dead animals.’ (5)
This is not only disgusting and that this is somehow supposed to be ‘social commentary’ on meat eating and ‘animal welfare’ is even more conspicuously vile.
Indeed, Evaristti has form for just this having exhibited a similarly cruel and beyond sadistic ‘art piece’ in 2000 as ‘Newsweek’ explains:
‘And now you care echoes previous works, notably Helena & El Pescador, a 2000 exhibit at Denmark’s Trapholt Museum that featured 10 blenders filled with water and goldfish. In an interactive display, viewers had the choice to turn on the blender, thereby killing the fish or leave it untouched.
He works in several media, including installations and painting. Evaristti has described his art as forcing “the spectator to look at life’s sometimes obscure and absurd paradoxes...The only certain knowledge we have is life’s inevitable ending.”’ (6)
As Jack Dunhill further explains:
‘Debuting at the Trapholt Museum, Denmark, an “art” piece called “Helena & El Pascador” by the somewhat-infamous Marco Evaristti presented museum-goers with 10 blenders, filled with water and a single goldfish in each swimming around the blades. The visitors were given a simple choice: press the large “ON” button and kill the fish (for absolutely no reason), or don’t touch the button and let the fish live.
The piece was intended to force people to “do battle with their conscience”, according to a BBC article.’ (7)
I mean why you would think this was ‘art’ is beyond me given that the entire ‘rationale’ is nothing to do with ‘animal rights’ – that is merely a rationalizing paradigm Evaristti is using to disguise his own expressed cruelty and sadism – but rather is about Evaristti’s sick view of human nature, which was explained by Evaristti in his interview with Mandy Taheri in ‘Newsweek’ as follows:
‘He described the Helena installation as a reflection on a “person’s journey in the world,” categorizing people into three types: “The Sadist, the Voyeur and the Moralist.”’ (8)
Basically, Evaristti believes that human beings are either sadists, voyeurs (the implication being that they like watching sadism) and/or moralists (the implication being that they use overt moralism to cover up their inherent sadism) with the implication that he believes that everyone wants to hit the ‘blend’ button to murder a goldfish and would be secretly feel aroused doing so (i.e., like Evaristti himself).
Evaristti’s sick nature is also exhibited in the fact that he ‘made meatballs out of his own body fat, removed from liposuction, and served them at a dinner party in 2007.’ (9)
I mean: who does that and moreover who would continue to be Evaristti’s friend after he served them ‘meatballs made from his own bodyfat’ at a dinner party?
Evaristti’s incredibly disturbed jewish mind was also on full display when he tried to make an ‘art exhibition’ out of the corpse of Gene Hathorn Jr. – who was a Texas drug dealer who murdered his father, stepmother and half-brother in 1984 over being disinherited – (10) after his execution as Natalie Hanman explained in ‘The Guardian’ in 2008:
‘A convict on death row in America has agreed to let his body be made into a work of art if his final appeal against execution fails.
Gene Hathorn, who has been on death row since 1985, has given his consent for artist Marco Evaristti, the bad boy of the Danish art scene, to use his body as an art installation.
“My aim is to first deep freeze Gene’s body and then make fish food out of it. Visitors to my exhibition will be able to feed goldfish with it,” Evaristti told the Art Newspaper.’ (11)
I mean who does this kind of thing let alone has the gall to claim it is ‘art’?
It rather sounds like Evaristti is a pretty extreme sadist who delights in engaging in necrophilic acts with animal and human corpses (the dead piglets and Hathorn’s corpse) as well as extremely sadistic ones with live animals (the live piglets and the goldfish) that he has somehow convinced moronic – or just plain evil – people in the world of ‘modern art’ to see as somehow ‘avant-garde’.
In reality Evaristti needs to be arrested and immediately subjected to capital punishment for extreme cruelty to animals, but he does nicely illustrate how profoundly evil so-called ‘jewish artists’ almost always are.
References
(1) https://www.westedenbkk.com/artists/32-marco-evaristti/biography/; https://www.newsweek.com/who-marco-evaristti-artist-piglets-goldfish-2041276
(2) https://www.wsj.com/articles/BL-SEB-76634
(3) https://www.newsweek.com/who-marco-evaristti-artist-piglets-goldfish-2041276
(4) https://news.sky.com/story/artist-abandons-plan-to-starve-piglets-to-death-after-animals-stolen-13322612
(5) Idem.
(6) https://www.newsweek.com/who-marco-evaristti-artist-piglets-goldfish-2041276
(7) https://www.iflscience.com/an-artist-placed-goldfish-in-blenders-and-asked-visitors-to-turn-them-on-they-did-63638
(8) https://www.newsweek.com/who-marco-evaristti-artist-piglets-goldfish-2041276
(9) Idem.
(10) https://www.texasobserver.org/innocent-executed-james-beathard-story/
(11) https://www.theguardian.com/artanddesign/2008/sep/02/marco.evaristti.art