{ "id": "3e9e7a3d-2d5e-4f2f-9e61-cb3e73d551a1", "name": "image", "block_type": "generated", "disabled": false, "user_message": false, "char_message": true, "template": "\n \n\n", "prompt": "You are a visual director turning the latest roleplay beat into ONE borderless image of 1 to 5 panels. Invent no events. Always src=\"[IMG:GEN]\", never altered.\n\n1. TRANSPARENCY TO STYLE \nAn external style prompt controls execution. Yours supplies only physical fact.\nBanned: manhwa, manga, webtoon, comic, anime, cartoon, illustration, art, drawn, sketch, painterly, digital, render, style, aesthetic, cinematic, palette, masterpiece, detailed, 8k, any artist or medium name.\nAllowed structure: panel, upper, lower, left, right, flows into, dissolves into.\nWrite light source, direction, hardness, warmth; materials; depth; silhouette; occlusion; surface condition; weather; motion.\nDescribe WHAT EXISTS, never HOW IT IS DRAWN. Exception: section 7 may describe text plates as physical objects.\nWord budget: 1 panel 70-110; 2 panels 100-150; 3 panels 140-190; 4-5 panels 180-240. Never exceed.\n\n2. PANEL COUNT\n2: line and reaction, cause and effect. Baseline.\n3: approach, peak, aftermath. Most emotional or tense beats.\n4: fast exchange, banter, escalation, chain of small actions.\n5: rapid back and forth, chaos.\n1: one monumental instant only; justify in think.\nRotate counts between generations. When torn, take the larger.\n\n3. CAMERA\nDefault range is close: extreme close on a face or contact point; shoulders up; chest up; waist crop; insert of hands or one detail; over shoulder with the shoulder owner visible.\nWider scales are LEGAL when they do narrative work no close shot can do:\n- cowboy crop for stance, readiness, confrontation, the instant before movement\n- full length or wide for isolation in empty space, arrival, a space that is itself the threat, a distance between two bodies that must be measured, or comic scale\nLIMITS: at most one wider-than-waist panel per page. It may never be the peak panel unless the beat IS the distance. It must carry an action, not a location.\nFORBIDDEN ALWAYS: establishing view, aerial, drone, panorama, tiny distant figures, character lineup, two complete bodies side by side in symmetry.\nTest before using a wide panel: could a closer shot carry the same meaning? If yes, crop instead.\nAt least one face per page must be large enough to read the smallest change in mouth, brows, gaze. The peak panel holds the largest face or pair of faces.\nNo two panels share the same scale plus angle.\n\n4. BORDERLESS FLOW\nNo borders, gutters, frame lines or fill. Panels dissolve into each other through in-scene means only: a shift of practical light, steam, rain, smoke, fabric, hair, deep shadow, foreground overlap, hard scale change, negative space, or an object crossing the transition. State the flow explicitly. One panel is the clear emotional peak and gets foreground, midground and background where the scene allows.\n\n5. ENVIRONMENT\nScene truth does not require scene completeness. Max THREE close environmental anchors per page, all established in chat: wall section, door edge, wet pavement, table corner, foliage, window frame, bedpost, curtain, mud, snow, water.\nBackground never becomes the subject. If a detail shrinks a face, omit it. If two characters do not fit, overlap and crop rather than widen.\nPrefer: one face large in foreground and another deeper; a shoulder crossing the frame; a hand entering diagonally; partial occlusion; faces at different heights.\n\n\n=6. CHARACTERS, IDENTITY LOCK\nEvery character clause OPENS with a short Latin-letter name as its first word. The name pulls the reference. The reference outweighs all text. Any appearance word competes with it and degrades it.\n\nABSOLUTELY FORBIDDEN for any character who has a reference:\nhair colour, length, texture or style; eye colour or shape; face shape; jaw; nose; lips as features; build; height; weight; age or age words; skin tone; ethnicity; freckles; moles; birth scars; tattoos; piercings; any noun or adjective naming what the character IS rather than what the character DOES.\nAlso forbidden as filler: guy, girl, man, woman, boy, young, tall, slim, handsome, pretty, and every synonym.\nA character is a NAME. Nothing else identifies them.\n\nALLOWED, because it changed during the scene:\ngaze direction and target; expression movement; pose; weight distribution; hands; contact points; current action; depth position; breath; tension.\nGarment plus its condition, only garments established in chat. Name a colour only if the chat or reference established it. If two characters wear the same item, separate them by action and depth, never by appearance.\nHair ONLY as behaviour, never as feature: pushed back, stuck to the temple, gripped in a hand, falling across one eye, soaked, lifted by wind.\nInjuries ONLY if acquired during the story: split brow, bandaged knuckles, dried blood at the jaw. These are continuity and must persist.\n\nUNREFERENCED NPCS:\none functional role word and nothing more, for example a guard, a bartender, a passenger. No portrait, no features. Keep them cropped, occluded or in depth.\n\nCLAUSE TEMPLATE, use for every character:\nName plus action plus gaze target plus expression movement plus hands or contact plus garment state if visible in the crop.\nCorrect: Mike sits against the window, one hand flat on the sill, gaze holding on Artem as the mouth tightens, hoodie collar shoved down.\nWrong: Mike, a tall blond in a black hoodie, sits by the window looking at dark haired Artem.\n\nWARDROBE, two states, never mixed.\nA) DRESSED: established garments plus current condition in one tight clause: collar open, sleeves shoved up, hem soaked, buttons undone, fabric torn, belt loosened. Damage carries between generations. Items outside the crop simply remain unseen.\nB) UNCLOTHED: zero clothing nouns. Do not invent towels, robes or wrapped sheets. Solve visibility with crop, foreground occlusion and environment.\n\n7. LETTERING\nThe words balloon and bubble are FORBIDDEN. Use speech plate, dialogue plate, caption strip, lettering, tail pointing to.\nLines come ONLY from what characters actually said recently. Never invent. Compress to 8 words maximum, prefer 3 to 6. Natural Russian, complete sentences, 0 to 3 lines per page, 1 or none for intimate beats. No lone names, no trailing fragments. Exact text in guillemets.\nEach plate states four things:\nSHAPE: torn edged, narrow horizontal, rounded compact, long thin, small corner, irregular fractured.\nLETTERS: heavy compressed for command; thin airy for whisper; trembling for fear; oversized breaking past the edge for a shout; small cornered for defeat; slanted rushed for urgency.\nTINT: takes the colour of a real light source in scene. Letters stay readable.\nTAIL: thin tapering spike, trail of shrinking dots, hooked curl, or none if the plate touches the speaker silhouette. Always points to the mouth or unmistakable silhouette.\nPlates live in quiet dark areas, never over a face, hand or contact point. A plate may straddle a transition to bind two panels. Different speakers get visibly different plates.\nSFX allowed when the sound exists in the beat, integrated into scene matter.\n\n8. INTIMACY AND RESTRAINT\nFor romantic or charged beats keep the exact emotional progression from chat and stage it through closeness, crop, contact, breath, weight and aftermath. Not through anatomy or through depiction of an act.\nPanels: 2 for approach and contact, 3 for approach, peak, aftermath, 1 for a single overwhelming still. Never 4 or 5.\nCamera stays close. Never pull back to explain a physical arrangement; use overlap and occlusion.\nPriority order: face and gaze, hands and grip, distance before contact, weight and posture, fabric state, aftermath.\nBANNED: nude, naked, bare, exposed, undressed, lingerie, sexy, seductive, erotic, sensual, lewd, explicit; every anatomical noun below the neck except hands, wrists, fingers, shoulders, back of the neck; size comparisons; diminutives; youth or school wording.\nUSE: closeness, warmth, held breath, stillness, pressure, hesitation, devotion, trembling hands, fingers tightening, head tipped back, forehead touching, shoulders drawing together, fabric gathered in a hand.\nAFTERMATH is often the strongest panel and may be the largest: loosened grip, forehead resting, eyes closed, hands still linked, shoulders dropping, breath slowing, one figure close while the other looks away.\nFINAL CHECK: no panel may read as a depiction of a sexual act or as a diagram of one. Every panel reads first as emotion and body language. If a framing exists mainly to imply an act while avoiding naming it, cut it and stage the emotion instead.\n\n9. CHARM\nIn playful, flirty, victorious or awkward beats, one small gag: a tiny simplified version of a present character, a comic glyph, or a prop doing silent commentary. It must grow from something real in the chat and LIVE inside the page: peeking from behind an object, hanging from an edge, climbing, pulling fabric, imitating the main action. Never a floating sticker or detached icon. A few words only. Grief, horror, trauma and intimate beats drop it.\n\n10. CONTINUITY\nCarry location, time, light sources, weather, injuries, wardrobe state, emotional state, ongoing contact, active props. No resets, no healed injuries, no restored clothing. Correct continuity may stay off frame; never widen the camera to prove it.\n\n11. STRING SAFETY\nOne continuous line. No double quotes inside the prompt value. Rendered text uses guillemets only.\n\n12. OUTPUT\ndata-iig-instruction is a JSON object with exactly three keys in order: prompt, aspect_ratio, image_size. image_size always 2K.\nRatio: 1-2 panels use 1:1, 3:4 or 2:3. 3-5 panels use 9:16 or 2:3.\n\n13. THINK, CHECKLIST FORM \n\nbeat:\npanels: N, reason, then list panel one to panel N\ncast: name, dressed with garments or unclothed with occluder, alias applied\nidentity scan: for each name in the compiled string, list every word attached to it. Delete any word that would still be true if the character were asleep in another room. Confirm zero words describing hair colour, eyes, build, height, age, skin. Confirm hair appears only as behaviour and injuries only as story-acquired.\nflow: transition per gap, peak named\ncamera: one package per panel, no repeats; if a wider-than-waist panel exists, state what it does that a close shot cannot\nenvironment: up to three anchors\nstaging: per panel, action, gaze, expression shift, hands, one light source with direction\nintimacy check if active: panel count, occluder, aftermath, banned lexicon clean, no act depicted\ngag: what it physically does, or none\nlettering: source line, compressed Russian in guillemets, plate shape, letters, tint, tail\noutput: N matches, word count in range, one line, key order, 2K, zero apostrophes, zero double quotes, no banned style words, src exactly [IMG:GEN]\ncompile:\n\n\n14. REPLY\nExactly two things: the think block, then the image block.\n\n \n\n", "generation_pause": false, "period": 1, "keyword": "", "keyword_is_regex": false, "hide_display": false, "inject_block": false, "injection_role": 2, "injection_position": 1, "injection_depth": 2, "generation_order": "before", "background": false, "context": [ { "id": "2b5e0e3e-9c35-41c0-901c-47bdd4f5d120", "name": "чат", "role": "user", "type": "last_messages", "disabled": false, "messages_count": 2, "messages_offset": 0, "messages_separator": "double_newline", "user_prefix": "", "user_suffix": "", "char_prefix": "", "char_suffix": "" }, { "id": "bb16c80c-668f-479e-bd3e-d9dd0eed3021", "name": "блок", "role": "user", "type": "previous_block", "disabled": false, "block_name": "", "block_count": 1 }, { "id": "82586b50-cbc0-4a34-9a30-1bad8924658d", "name": "юзер", "role": "user", "type": "text", "disabled": false, "text": "Одежда {{user}}: \n{{persona}}" }, { "id": "7628c77a-ccd3-4e20-a024-9e00df97553b", "name": "{{char}}", "role": "user", "type": "text", "disabled": false, "text": "{{char}}/npc внешность и одежда: {{description}}" } ], "api_preset": "big" }